1829-1912 Related Paintings of william r clark :. | columbus karaktarsstyka och viljekft ar skickligt fangade i detta portratt | australier narmar sig forsiktigt en upptacktsresan des lager i odemarken. | nansen har sjalv gjort den har teckningen av manringar och skuffmanar under en palarnatt i november 1893 | ovan den islamitiska seden att stena den store djavulen tecknades av burton i muna i nejd | wilson fangade med stor inlevelse dramatiken och ogastvan ligheten i polarlandskapet i manga av sina skissr ovan ses en isformation pa rossons strand | Related Artists:
KETEL, CornelisDutch painter (b. 1548, Gouda, d. 1616, Amsterdam).
Dutch painter, draughtsman and sculptor, active also in France and England. He was one of the most important portrait and narrative painters of the Dutch Mannerist school of the late 16th century and the early 17th. He received his earliest training in Gouda from his uncle Cornelis Jacobsz. Ketel (d c. 1568) and studied for a year with the painter Anthonie Blocklandt in Delft c. 1565. Ketel then travelled to France and lived in Paris and Fontainebleau.
LE BRUN, CharlesFrench painter (b. 1619, Paris, d. 1690, Paris)
French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions
Benozzo GozzoliItalian Early Renaissance Painter, 1420-1497
Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 ?C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes, now badly damaged, for the Camposanto in Pisa (1468 ?C 84).